“Who Goes There?”: The novella that formed the basis of “The Thing” is the John W. Campbell classic about an antarctic research camp that discovers and thaws the ancient, frozen body of a crash-landed alien. The creature revives with terrifying results, shape-shifting to assume the exact form of animal and man, alike. Paranoia ensues as a band of frightened men work to discern friend from foe, and destroy the menace before it challenges all of humanity! The story, hailed as “one of the finest science fiction novellas ever written” by the SF Writers of America, is best known to fans as THE THING, as it was the basis of Howard Hawks’ The Thing From Another World in 1951, and John Carpenter’s The Thing in 1982.
Inspired by the website that the New York Times hailed as “redefining mourning,” this book is a fresh and irreverent examination into navigating grief and resilience in the age of social media, offering comfort and community for coping with the mess of loss through candid original essays from a variety of voices, accompanied by gorgeous two-color illustrations and wry infographics.
At a time when we mourn public figures and national tragedies with hashtags, where intimate posts about loss go viral and we receive automated birthday reminders for dead friends, it’s clear we are navigating new terrain without a road map.
Let’s face it: most of us have always had a difficult time talking about death and sharing our grief. We’re awkward and uncertain; we avoid, ignore, or even deny feelings of sadness; we offer platitudes; we send sympathy bouquets whittled out of fruit.
Enter Rebecca Soffer and Gabrielle Birkner, who can help us do better. Each having lost parents as young adults, they co-founded Modern Loss, responding to a need to change the dialogue around the messy experience of grief. Now, in this wise and often funny book, they offer the insights of the Modern Loss community to help us cry, laugh, grieve, identify, and—above all—empathize.
Soffer and Birkner, along with forty guest contributors, reveal their own stories on a wide range of topics including triggers, sex, secrets, and inheritance. Accompanied by beautiful hand-drawn illustrations and witty “how to” cartoons, each contribution provides a unique perspective on loss as well as a remarkable life-affirming message.
Brutally honest and inspiring, Modern Loss invites us to talk intimately and humorously about grief, helping us confront the humanity (and mortality) we all share. Beginners welcome.
Alyce’s mother has just been burnt at the stake for practicing witchcraft. With only a thin set of instructions and a witch’s mommet for guidance, Alyce must face the world that she’s been sealed off from — a world of fear and superstition. With a witch hunter fast on her trail, she’ll need the help of an innkeeper and a boy looking to discover the truth behind his own mother’s past.
But as her journey continues, another war rages: a hidden war of the supernatural, of the living and the dead. Good and evil are blurred, and nobody’s motives can be trusted. And Alyce finds herself thrown unwillingly into the conflict. Struggling to understand her own powers, she is quickly drawn into a web of secret, lies, and dark magic that could change the fate of the world she is just coming to know.
When a boy named Ico grows long curved horns, his fate has been sealed-he is to be sacrificed in the Castle in the Mist. But in the castle, Ico meets a young girl named Yorda imprisoned in its halls. Alone they will die, but together Ico and Yorda might just be able to defy their destinies and escape the magic of the castle.
The novelization of the hit video game of the same name, Japan’s leading fantasist Miyuki Miyabe has crafted a tale of magic, loss, and love that will never be forgotten.
When four old University friends set off into the Scandinavian wilderness of the Arctic Circle, they aim to briefly escape the problems of their lives and reconnect with one another. But when Luke, the only man still single and living a precarious existence, finds he has little left in common with his well-heeled friends, tensions rise. With limited experience between them, a shortcut meant to ease their hike turns into a nightmare scenario that could cost them their lives. Lost, hungry, and surrounded by forest untouched for millennia, Luke figures things couldn’t possibly get any worse. But then they stumble across an old habitation. Ancient artifacts decorate the walls and there are bones scattered upon the dry floors. The residue of old rites and pagan sacrifice for something that still exists in the forest. Something responsible for the bestial presence that follows their every step. As the four friends stagger in the direction of salvation, they learn that death doesn’t come easy among these ancient trees . . .
The Heart Crystal’s power has been depleted, and Imagination along with it. The people of Wonderland have all lost their creative drive, and most alarmingly, even Queen Alyss is without her powers. But at least the vicious Redd Heart seems to be similarly disabled. Amazingly, she is attempting to team up with her enemy, Alyss, in order to reclaim Wonderland from King Arch. Alyss might have no choice but to accept Redd’s overtures, especially when she begins to receive alarming advice from the caterpillar oracles…
In the spring of 1998, Koichi Sakakibara transfers to Yomiyama North Middle School. In class, he develops a sense of unease as he notices that the people around him act like they’re walking on eggshells, and students and teachers alike seem frightened. As a chain of horrific deaths begin to unfold around him, he comes to discover that he has been placed in the cursed Class 3 in which the student body head count is always one more than expected. Class 3 is haunted by a vengeful spirit responsible for gruesome deaths in an effort to satisfy its spite. To stop the vicious cycle gripping his new school, Koichi decides to get to the bottom of the curse, but is he prepared for the horror that lies ahead…?
A renowned scientist and the best-selling author of Lab Girl, Hope Jahren selects the year’s top science and nature writing from writers who balance research with humanity and in the process uncover riveting stories of discovery across disciplines.
Outside a peaceful town in central Maine, a monster is waiting. Cujo is a two-hundred-pound Saint Bernard, the best friend Brett Camber has ever had. One day, Cujo chases a rabbit into a cave inhabited by sick bats and emerges as something new altogether.
Meanwhile, Vic and Donna Trenton, and their young son Tad, move to Maine. They are seeking peace and quiet, but life in this small town is not what it seems. As Tad tries to fend off the terror that comes to him at night from his bedroom closet, and as Vic and Donna face their own nightmare of a marriage on the rocks, there is no way they can know that a monster, infinitely sinister, waits in the daylight.
Ríos takes us into the eerie existence of the painter Victor Mons, who has created a series of works titled Monstruary, a menagerie of personal demons summoned from the disturbing and often erotic images of his past. We follow Mons on nocturnal outings and infernal escapades, as he encounters fiendish figures, otherworldly phantasms, and the beautiful models and prostitutes who serve as his muses. And we meet a host of fascinating and haunting characters: the architect who attempts to deconstruct a real city by constructing imaginary ones; the anonymous patron who commissions his portrait to be painted on his mistress’s skin; Mons’s ethereal lover, who torments him by recounting her infidelities–which he then paints; the mysterious itinerant collector, who may be only an actress playing the role of a lifetime.