Kafka on the Shore follows the fortunes of two remarkable characters. Kafka Tamura runs away from home at fifteen, under the shadow of his father’s dark prophesy. The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his pleasantly simplified life suddenly turned upside down. Their parallel odysseys are enriched throughout by vivid accomplices and mesmerizing dramas. Cats converse with people; fish tumble from the sky; a ghostlike pimp deploys a Hegel-spouting girl of the night; a forest harbors soldiers apparently un-aged since WWII. There is a savage killing, but the identity of both victim and killer is a riddle.
An ancient Egyptian evil known as ‘The Beetle’ has arrived in London to wreak a mysterious vengeance on politician Paul Lessingham. When this strange creature, ‘born neither of God nor man’, orchestrates the disappearance of Lessingham’s fiancée Marjorie, it becomes a race against time to solve the mystery of the Beetle and save Marjorie from an unthinkable fate!
Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George—publisher of The Safe Negro Travel Guide—and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite—heir to the estate that owned one of Atticus’s ancestors—they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.
At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn—led by Samuel Braithwhite and his son Caleb—which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his—and the whole Turner clan’s—destruction.
A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of two black families, Lovecraft Country is a devastating kaleidoscopic portrait of racism—the terrifying specter that continues to haunt us today.
The official novelization of the summer blockbuster Godzilla: King of the Monsters, the latest film in the MonsterVerse franchise!
Godzilla: King of the Monsters follows the heroic efforts of the cryptozoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and its ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species–thought to be mere myths–rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.
The cycle begins with “Eggsucker,” which chronicles the early years of the association between fourteen‑year‑old loner Vic and his brilliant, telepathic dog in a post-apocalyptic world. The saga continues and expands in “A Boy and His Dog,” in which Blood shows just how much smarter he is than Vic, and Vic shows how loyal he can be. The story continues in “Run, Spot, Run,” the first part of Ellison’s promised novel of the cycle, Blood’s a Rover. Here Vic and Blood find surprising new ways to get into trouble—but getting out of it may be beyond even their combined talents.
“Who Goes There?”: The novella that formed the basis of “The Thing” is the John W. Campbell classic about an antarctic research camp that discovers and thaws the ancient, frozen body of a crash-landed alien. The creature revives with terrifying results, shape-shifting to assume the exact form of animal and man, alike. Paranoia ensues as a band of frightened men work to discern friend from foe, and destroy the menace before it challenges all of humanity! The story, hailed as “one of the finest science fiction novellas ever written” by the SF Writers of America, is best known to fans as THE THING, as it was the basis of Howard Hawks’ The Thing From Another World in 1951, and John Carpenter’s The Thing in 1982.
By 2021, the World War has killed millions, driving entire species into extinction and sending mankind off-planet. Those who remain covet any living creature, and for people who can’t afford one, companies built incredibly realistic simulacra: horses, birds, cats, sheep. They’ve even built humans. Immigrants to Mars receive androids so sophisticated they are indistinguishable from true men or women. Fearful of the havoc these artificial humans can wreak, the government bans them from Earth. Driven into hiding, unauthorized androids live among human beings, undetected. Rick Deckard, an officially sanctioned bounty hunter, is commissioned to find rogue androids and “retire” them. But when cornered, androids fight back—with lethal force.
In the apocalyptic Los Angeles of Amnesiascope, time zones multiply freely, spectral figures roam the streets, and rings of fire separate the city from the rest of the country. The narrator, a former novelist, lives in a hotel and writes film criticism for a newspaper whose offices are located in a bombed-out theater. Viv, his girlfriend, is a sexually voracious artist, and together the two are collaborating on an avant-garde pornographic film. But in this world, what’s real and what’s merely the conjuring of the protagonist’s imagination—obsessed with dreams, movies, sex, and remembrance—is far from clear.
Among Ellison’s more famous stories, two consistently noted as his very best ever are the Hugo Award–winning, postapocalyptic title story of this collection of seven shorts and the volume’s concluding story, “Pretty Maggie Moneyeyes.” Since Ellison himself strongly resists categorization of his work, we will not call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are utterly unique. They could only have been written by the great Harlan Ellison, and they are incomparably original.
When Dr. Nagashima loses his wife in a mysterious car crash, he is overwhelmed with grief, but also an eerie sense of purpose; he becomes obsessed with the idea that he must reincarnate his dead wife. Her donated kidney is transplanted into a young girl with a debilitating disorder, but the doctor also feels compelled to keep a small sample of her liver in his laboratory. When these cells start mutating rapidly, a consciousness bent on determining its own fate awakes from an eonic sleep.